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letter from london : : robert wornum



a mothers art they called porn

A friend of mine said recently, that the day that modern art gets accepted in this country, is the day that art dies. So it's a relief then that it's still alive and well, and lurking in a building near you. Over the last week or so, the tabloid press, artists, the police, child protection agencies, newspaper editors, art critics, paedophiles, D list celebs, pub-goers and dinner tables round the country have all been debating 'the filth that they call art these days', inspired by the brouhaha surrounding an exhibition called i am a camera at the Saatchi Gallery. In the dock is Nan Goldin and Tierey Gearon, but particularly Gearon, an American photographer, who has lived in London for the past 10 years. The police, the News of the World, the Child Protection Agency, and other such establishments, have ventured into the dark depths of an art gallery. Why? Cos there are pictures of naked children in there, and if there's one thing that unite these bands of men ... men, it's naked kids.

'CHILD PORN THEY CALL ART' screamed The News of the World (TNOTW), and published many of the pictures complete with blocked out rectangles over their willies and front bottoms. The paper didn't want to mention the name of the artist involved - to protect the children you see. It has never taken much for TNOTW to publish anything that could be bent or be construed as sordid, or anything that could be considered as a worthy headline grabbing piece of gossip. ('Oooh I say ...' as Kenneth Williams might have put it).

TNOTW can print pictures of semi-naked women, carry adverts for what basically must be for phone-sex [1], and will employ journalists to unearth peoples private lives for their readers enjoyment [2]. The tabloids moral pedastal is built on sensationalism, where shock and outrage is the food for its economy, hypocrisy its cash-till, and as such, is generally treated either with suspicion, or with humour, but preferably both. They can be fun to read, and funnier still when they they claim the moral high-ground. But for all this, I didn't expect so many people to come out and sound so ignorant about an image, or the interpretation of the image.

Art, or any image of interest, is not only contained within itself, but has to reflect and acknowledge the outside world. Even if it doesn't, or wants to, it has to, and does. To make it good art, it needs to hit a spot. Somewhere. Somehow. Gearons photos hold no kinetic sexuality. None. Flesh, young and old, is, potentially, sexual. But a newspaper that gags on the flesh sells equation, will come up with the only interpretation necessary - that is, it must equal sex. And it works. But Gearons photos, succeed not just because there is nothing sexual going on, but they also work, consiously or subconsiously on behalf of the artist/gallery/viewer, to redress lost ground. They are relaxed, casual, happy photos. Look! adults playing around with kids, kicking about in the sun for a few weeks. It never occured to me that these photos looked dark or 'creepy' before I read the headlines, weeks after it opened. They are dark in a nondiegetic visual sense only. Made real by the reaction.

the reaction

An article published in the Daily Mail by Andreas Whittam, typically got things wrong. But not just any old wrong. A dark, rather scary wrong, and one which could sum up the whole shabby irony. I quote: 'Speaking as a grandfather, I hope that those who believe sexually titallating images involving children are acceptable so long as they can be labelled art will now consider how bogus this arguement is.' I have written this correctly. You might want to read it again. It's a line that might come from one of Chris Morris's characters; an honourable, Masonic Lodge nearing, knighthood queing, morally guided family man, but is either wilfully unable to grasp the simplicities of language, or is suffering the lonely pain of self-denial. Considering that Andreas Whittam writes for the Mail, I am hoping he's closer to the former.

Even Mark Lawson, the most recognisable chairperson on the arts, got quite bald over the whole affair, and quite pompously suggested that the mother of these children had disregarded her kids reaction to these pictures being 'displayed around the world' when they become teenagers. Below is one of Gearons pictures, and Lawson went on to point out that this image had the potential to 'quicken the step of any gallery-visitor who happened to be into kids-and-pets-porn.' I must have a look at his bookmarks one day, cos that's one interpretation of this image I didn't see. He is the critic ... and I'm not, but what the fuck IS he on about!? Another set of bookmarks I'd like to see, is Ian Hislop's, the editor of Private Eye, who recommended that these images 'are the sort that get downloaded from the net.'

Michael Hames, former head of the Obscene Publications Squad said, 'The chattering classes will believe they have an absolute right to peer at nude youngsters' genitals '. I mean (?!). Pervert. [3]

These are pictures of a family behaving completely innocently, and they're interesting and valid because of this fact. The paranoia of paediophilia in this country has gone way beyond logical sensible thinking, so much so that even the slightest glimpse of a child's flesh now starts the alarm bells ringing. You hear of fathers who worry about bathing their children, or feeling slightly self-conscious about waiting for their children at the school gate. It's a ridiculous situation. A number of years ago, another mother, who is also a newsreader at the BBC, was visited by the police after pictures of her bathing her children were deemed to be suspicious by whoever was developing them. Well they visited the wrong person. Julia Sommerville was cleared of any wrong doing. We can thank the tabloid media for all this.

There are many people in the world who aren't perverts, nobody as yet has nudge-nudged me when I've conversed about the young, and it's rare that I get I felt up in public, but it seems that our gloried moralists must think that anyone interacting with children, and expressing this interaction, must harbour desires that contravene the law[4].

This whole mess has concerned and interested me in a more personal way too, as I am working on a series of paintings which are connected in many ways to Gearons series of photos. I'm painting pseudo photo-realistic versions of snapshots displayed at my parents house, and two of the 64 in the series, are of my sister, when she was 2 or 3, standing on a table, completely naked with her arms out wide. I took it myself when I was 5 or 6, getting her to pose in that way [5]. It remains a family favourite, especially with my sister, and if ever exhibited, I will go to court if anyone accuses me of child abuse. On second thoughts I won't.

the outcome

The pictures were found not to be contravening the law, and remain on the wall.


notes

 

[1] I tried it once, but as is widely known, you get some kind of intro and you've lost 2 quid - it's boring, so you put the phone down. I've seen Short Cuts - pub. It's simple maths.

[2] This is not to decry their sometimes valuable pieces of investigative journalism, when they are looking at serious matters.

[3] In a television interview, Mike Hames, the newly crowned Child Protection Adviser, was positively licking his lips while he recounted what he saw. Below is a full transcript from an ITV news programme on television. Stage directions and comments are in italics.

TREVOR McDONALD (NEWSREADER): There's continuing controversy tonight about whether the police should have any vote in deciding whether pictures in a London art gallery are obscene. Officers have been to the Saatchi Gallery twice in recent days to follow up complaints about an exhibition showing pictures of naked children. Katie Derhams's report includes (concerned pause), images from the exhibition. (He glances to the left, still looking slightly concerned)

KATIE DERHAM (NEWS REPORTER): A smart North London gallery, owned by Charles Saatchi, and known for its support for cutting edge British artists. But last week it was visited by the police who have laid down an ultimatum; if photos of this exhibition aren't removed by Thursday, they have the power to come and get them themselves.

The photos at the centre of this row are a series taken by American photographer Tierey Gearon of her children. There have been 3 complaints to the police that they're not art or harmless portraits of family life, they're child pornography.

INTERVIEW - TIEREY GEARON: Now I just keep looking at these two images and I cannot see what it is ... I mean ... I'm not, I'm not a person who's sexually perverted so I can't ... I guess .. I cannot see it, I still can't see it. I can't see what... I mean to me, these objects, these photos are so unsexual.

KATIE DERHAM: But experts worry that's not what they may appear to some.

MIKE HAIMES: CHILD PROTECTION ADVISER: I mean, if she kept them indoors, in a drawer (lick), and shared them with her family, then nobody would know about it (HAVEN'T YOU SEEN 'THE TEXAS CHAINSAW MASSACRE'!?), but she has chosen to put them on the wall of a public gallery, and drawn them to public attention. And in my view, a few of these photographs, certainly one of them, is indecent, within the meaning of the Protection of Children Act [3a], and had I been in charge of the case last week, I would have advised that that, and probably one or two others, should be removed.

KATIE DERHAM: It's more than 30 years since the police have done anything like this, but, in the currrent climate of fear about paeodoplhilua, this isn't so much a debate against censorship, as people being asked to completely re-assess the way they view an innocent family photograph.

[3a] Section 3 - 3a of the 'Protection of Childern Act' states:
The Secretary of State shall include the individual in the list kept by him under section 1 above if, after he has considered the information submitted with the reference, any observations submitted to him and any other information which he considers relevant, he is of the opinion-
(a) that the organisation reasonably considered the individual to be guilty of misconduct (whether or not in the course of his employment) which harmed a child or placed a child at risk of harm; and
(b) that the individual is unsuitable to work with children.

[4] To place a full-stop after 'law', may either suggest that a) I forgot to mention morality (a possibility now made redundent), b) I believe that law is a reflection of morality, or c) That all this is an excuse to write at least 700 words. (But this is further confused by the fact that I am an anarchist sympathiser, who believes that we need laws - annnnn that's the rebel in me.) The answer however is a), I forgot to mention morality because I'm writing this quickly.

[5] None of Tierey Gearon's photos (15 images - 6 including nakedness) were staged. None of them.

links
For an accurate and intelligent reaction to this - http://www.artrumour.com
or News of the World - http://www.newsoftheworld.com
Independent - http://www.independent.co.uk/enjoyment/Art_and_Design/Visual_arts/2001-03/childtwo130301.shtml


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