NONLINEAR
AND HYBRID
ARTWORKS art
work by ian m clothier |
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|  | Use
the images at the top of this page to navigate throughout the site.
The home button top left always returns you to
this page. Please select a project from the list below by clicking the corresponding
button. Most projects have a sub menu, mostly either a row of image links at the
bottom of the coloured area, or a row of numbers. Bio/cv. |
| | te
ara (the path) Exhibited
as part of the show Te Ara o Te Ora (The Path of Life) at Percy Thomson Gallery
in Stratford New Zealand.
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| | interrogating
the invisible Exhibited
at ISEA 2006/Zero One San Jose This
project used an online form to gather statistics on how people identify with their
culture, and then visualised the data. |
| | silicon
chips are made of sand Online
catalogue of show at Quay Gallery, Whanganui New Zealand
The exhibition consisted of installation and digital work, an old wooden ladder
was installed among leis, websites and adhesive vinyl prints - data visualisations
of Leistavian constitution voting statistics (figure
1 and figure 2). |
| | branch
on branch v3.1 Artist
Fellowship project (augmented reality) at the University of Canterbury, NZ The
work utilised software developed by the Human Interface Technology Lab New Zealand
(HiTLabNZ) - there are two layers of interaction for participants in the art work.
The project was a collaboration with Jung Shin, Raphael and Eric Woods of the
HITLabNZ. |
| | the
DISTRICT of LEISTAVIA Created
for ISEA 2004 Tallinn, exhibited every year since An
ongoing project, involving
the hybridisation of Estonian, Pitcairn Island and Norfolk Island cultures. An
online form was used to gather information about preferences for the Constitution
of Leistavia. Ecologically sustainable values and meritocracy (where the person
who best serves the community is leader) were overwhelmingly voted for. Kylli
Mariste and Joe Flynn were collaborators. |
| | a
wandering rock Created
for the ReJoyce 2004 Festival Dublin
ReJoyce celebrated the centennial of the day on which James Joyce's Ulysees
is set. The
work used motion sensors and imagery from the Wandering Rocks chapter of Ulysees.
The proximity of the audience to the work results in changing light patterns
in the 'agenbite of inwit' image. |
| | this
work changes every two days at 12 noon Shown
in the art department tutors show in 2008 Given the context, creative freedom
was used to explore the idea of multiplicity in art works. |
| | seven
sisters Quay
Gallery, Wanganui Online voting form , animation and installation project.
The installation used 64 bottles with leis inside them, which change formation
through seven layouts. |
| | hybrid
cultures, nonlinearity and creative practice {aka hc : n : cp} MA
thesis - projected image database, animation, digital print, touch activated website
and installation. |
| | a
nonlinear collaboration for solar circuit Hobart/Maria
Island Australia Solar Circuit residency project |
| | a
nonlinear art work for wild2002 Museum
of Tasmania Australia This
work was exhibited online and in the Museum's Pacific Galleries, a very suitable
venue and context for my work. |
| | link
to text/image works {digital poetry and non-fiction writing} |
| | bio/cv |
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