The introductory Leonardo Education Aotearoa Forum @ SCANZ 2009 is aimed to establish LEF in NZ. The session is co-chaired by Nina Czegledy of Leonardo Education Forum (LEF, co-chair), and Ian Clothier.
Following is the LEF strategy summary proposed by participants of the International Leonardo Education Forum and expert meetings at re:place 2007, Berlin, Mutamorphosis, Prague, ISEA2008, Singapore and ARS Electronica2008, Linz.
Leonardo Education Forum
Strategy summary on media art education
Editors: Michael Century, Ernest Edmonds, Lynn Hughes, Daniela Reimann and Nina Czegledy
Introduction
This summary presents an initial framework for policy analysis and planning in media and new media education. It is based on Leonardo Education Forum (LEF) meetings held in 2007 and 2008 that called for a “framework for policy analysis and planning in (new) media art education intended for stakeholders in the field– practitioners, educators, researchers, theoreticians, historians, etc, as well as administers and policymakers”. The LEF call led to four international meetings of new media experts and educators: Mutamorphosis, (Nov. 8-10, 2007, Prague), re:place 2007 (the Second International Conference on the Histories of Media Art, Science and Technology, Nov, 14, 2007, Berlin), ISEA 2008 (the 15h International symposium on Electronic Art, July 27, 2008, Singapore) and ARS Electronica, Linz (Sep. 2008). These consultation meetings were structured around a number of focus issues with the aim of • Identifying key issues in the field • Establishing the principal areas of concern • Providing concrete recommendations
Focus Issues
The meetings established the need to focus on the following four areas:
1. Curriculum Mapping Initiative
2. Institutional / Organizational Standards and Benchmarks
3. Network-centric and Intercultural Learning Methods and Processes.
4. Media Art, Science and Technology Research Methods Platform
1 Curriculum Mapping Initiative
Media art education is currently challenged by a variety of opportunities opening up due to the pace of technological developments in contemporary media. How can we support a culture of reflecting and shaping such media and technologies for innovative future education. The need for a comprehensive gathering of fundamental information about the variety of approaches to curriculum design across jurisdictions and levels was identified. An international mapping project was recommended. One possible approach would be a “hybrid model” in which information on international variations in the sequence from foundational training to doctoral research is gathered on one “axis” and then juxtaposed (or “crossed”) with information on the way technical skills are balanced with critical, theoretical and historical content in these same contexts.
2 Institutional / Organizational Standards and Benchmarks
An international platform for intelligence gathering on benchmarks and standards for new media art education is also needed. This will support international and regional advocacy for teaching and degree quality standards, as well as provide guidelines for the promotion and professional development of teaching staff. It will also enable inter-institutional flexibility for student exchange and mobility.
3 Network-centric and Intercultural Learning Methods and Processes.
We urgently need to clarify the processes and goals of new media learning, particularly between very different technological and/or cultural situations. The integration of organized networks that use self-directed, or peer-to-peer, learning -with academic knowledge production is a key challenge in the field. As well, linguistic and cultural dominance in new media theory and across platforms is a barrier to truly global participation in the art/science/technology communities.
4 Media Art Science and Technology Research Methods Platform
The urgent need for improved comparative knowledge and information resources about media arts research methodologies was stressed. It is important to identify, describe, collect and share existing and emerging media art research methods, including their context of implementation. A platform, consisting of an online database of case studies and proven methods, would provide the framework needed to further acknowledge, validate and legitimize media art research methods by peers, partners, educators, funding bodies and other stakeholders. There is likewise a need to consolidate recent efforts to classify and evaluate methodologies, which includes articulating the meaning of the concepts like "practice based” and “practice led” research
Action Points:
Focused, funded research proposals on these topics: Several discussion groups at the sessions suggested that these four areas (and possibly subsections of them) should be taken on as research projects by small, well-focused teams with appropriate funding. This may be the only way to obtain in-depth studies useful for planning and policy development. If the LEF New Media Education group tracks these projects, it will be possible to integrate findings from them into a shorter and very credible document of recommendations that could then be distributed internationally via a variety of networks and organizations. This now seems like the best way to produce a solid White Paper.
More specifically, for example, Bronac Ferran, Tapio Makela, and Maja Kuzmanovic, members of the group discussing media research methods at ISEA 2008, plan to structure a research proposal around this question and apply for funding. Similarly, there was a suggestion that the third area could be taken on, initially as a panel for a major education conference, the aim of this experience leading to the formation of a team research proposal. It seems clear that these suggestions need to be pursued and ways of supporting them identified. Researchers interested in proposing research in the first two areas need to be found. It seems particularly important that the LEF efforts and those of the Asia-Europe Foundation (ASEF) be well coordinated so that scarce resources are shared and resulting recommendations have as much impact as possible. The ASEF discussion does not specifically address North America and it has been suggested that LEF could collaborate with the North American aspects of the ASEF efforts.
Minimal Backbone:
There is a need to formalize a steering group for this initiative to provide a minimal “backbone” to promote, track and support research initiatives focused on the areas identified. It seems likely that researchers will be more interested in pursuing serious research projects in these areas if they understand that their work will be supported by LEF and other high profile organizations, and that this association will provide an international platform for disseminating the research. In other words they should be made to feel that choosing to do research in these four identified areas will be strongly supported and recognized, and that it will be integrated into other internationally based research so that it leads directly to lobbying for policy. Their research will count because they are working with LEF and other groups towards a coherent international goal.
Preliminary Research and Coordination:
After a steering committee is in place, a graduate student working with the committee could provide some initial coordination and research. Concordia and OCAD universities have committed $500 each towards support of this student. If other institutions could contribute modest amounts we could hire someone to really seed the more in-depth process. The steering committee could propose what this student should do and perhaps solicit other contributions to help sustain this sort of coordination.
Ian M Clothier is a Senior Academic at Western Institute of Technology at Taranaki (WITT), Director of Intercreate Research Centre (intercreate.org) and founding Director of SCANZ (Solar Circuit Aotearoa New Zealand). He has been selected three times for ISEA (Inter-Society for the Electronic Arts) and exhibited projects with organisations based in nine countries. Thematically his projects involve notions around cultural hybridity and nonlinearity, more recently integrated systems. His written work has been published in Leonardo, Convergence and Digital Creativity and he has given many conference presentations.
Read more about Ian Clothier.
Nina Czegledy, media artist, curator and writer works internationally on collaborative art & science & technology projects. She has produced time based and digital works, won awards for her artwork, exhibited widely, lead and participated in workshops, forums and festivals and published worldwide. “What will you do to cool the earth?” a public art project in collaboration with Greg Judelman and Daniel Barber, was commissioned by the City of Toronto for Nuit Blanche 2007. The Aurora Feast collaboration premiered at Heureka the Finnish Science Centre (2006), also shown at the Govett Brewster Gallery (2006), Waves Festival, Latvia (2006). Czegledy exhibited with the ICOLS group in Australia, the US (2004-2005) and the Girls& Guns collective's in Europe (2005). Resonance, the Electromagnetic Bodies Project, Digitized Bodies Virtual Spectacles and the Aurora art & science projects focus on the changing perception of the environment and the human body. Czegledy initiated Points of Entry, the first Canadian/Australian/New Zealand digital arts collaboration. She is president of Critical Media a Canadian based Knowledge initiative, is a Senior Fellow, KMDI, University of Toronto, Associate Adjunct Professor Concordia University, Montreal, Honorary Fellow, Moholy Nagy University of Design, Budapest, co-chair of the Leonardo Education Forum (LEF) and ex-officio chair of ISEA.
Read more about Nina Czegledy.
About SCANZ
Solar Circuit Aotearoa New Zealand (SCANZ) is New Zealand’s premier art and technology event and involves a symposium, artist residency, and public exhibition. It occurs every two years, and has typically involved a mix of Aotearoa New Zealand and international artists, producers, theorists and curators many of whom are leading practitioners. Held in New Plymouth, SCANZ 2011 will be the third event.

SCANZ 2011: Eco sapiens
A symposium followed by a residency is to be held late January to early February 2011 in New Plymouth, Aotearoa New Zealand. It seeks to bring a range of knowledge groups together to investigate the cultural roots of climate change and seek out poetically pragmatic approaches to encouraging the cultural and behavioural shifts required. Initial expressions of interest are due 21 November, 2009. Please see here for more details.
SCANZ 2009 international participants included Nina Czegledy, Brett Stalbaum, Sally Jane Norman, Jacques Sirot, Sarah Cook, Andrew Gryf Paterson, Dan Torop, Melinda Rackham and Dominic Smith of The Polytechnic. Participants based in New Zealand included Lisa Reihana, Stella Brennan, Sean Kerr, Rachel Rakena, Natalie Robertson, Danny Butt, Herman Pi’ikea Clarke, Alex Monteith, Naomi Lamb, Caro McCaw, Jon Bywater, Julian Priest (UK/NZ) and many others.
Occurring along side the 2009 residency was a two day symposium (February 7 and 8), presentation evening & exhibition (opened February 7), and curatorial workshop.
Intercreate.org gratefully acknowledges the support and partnerships of:

Creative New Zealand
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Govett-Brewster Art Gallery

Puke Ariki

Western Institute of Technology at Taranaki (WITT)

TSB Community Trust
and...
Phosphor Essence Ltd.
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http://intercreate.org/S31589
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