SCANZ 2013: 3rd nature residency and Wānanga-Symposium

Artists at Parihaka

3rd nature residency artists and Parihaka hosts outside Te Raanui, the whare kai (house for eating). The visit to Parihaka set the residency off to an excellent beginning.

SCANZ 2013 artists at Owae Marae

This photo by Jo Tito shows the wananga- symposium attendees after the final session and clearing up. They are outside the whare kai Ko Tama Wahine at Owae Marae. The group had a wonderful spirit at this time.

SCANZ 2013: 3rd nature residency, wānanga-symposium, exhibitions and publication.

Themes

3rd nature involved creativity and innovation at the intersection of three critical interfaces:

*Acknowledging the environmental crisis; *Engaging with Maori and indigenous peoples; *Engaging with Sciences and the Hybrid Arts

These three intersecting dialogues provided space for a Third Nature, a fresh space for engaging with new knowledge and approaches vital to a sustainable civilisation.

Project Components

Residency; Wānanga-Symposium; Exhibitions – Museum, Botanic Garden; Publication

The SCANZ 2013 3rd nature residency is the basis for the entire project.

1. Residency

The residency commences with a visit to Parihaka on day one and two. Over the two week period of the residency, there will be a series of open labs in the WITT Art Space, where local people have been invited to take part in, and conduct sessions based on themed days. Interested people are welcome to attend and contribute.

The residency artists are:
Darko Fritz — darkofritz.net
Ilka Nelson — thelasttree.net
Sonja van Kerkhoff and Sen McGlinn — sonjavank.com/sensonja/index.html
Kate Genevieve and David C Montgomery — kategenevieve.com and silvefishcloset.com
Jo Tito — jotito-artist.com and handpaintedrocks.com
Pierre Proske and Damian Stewart — digitalstar.net, damianstewart.com
Jayce Salloum (screening) — tinyurl.com/jaycesalloum
Vicki Smith — sailingforsustainability.org
Dr Tracey M Benson — byte-time.com
Rulan Tangen — Dancing Earth
Nigel Helyer — Dr Sonique
Cecelia Cmielewski — Profile
Nina Czegledy — ninaczegledy.net
Trudy Lane and Halsey Burgund — thehouseofwonder.org, halseyburgund.com
Kura Puke — Profile
Brooke Sturtevant-Sealover — brookesturtevant-sealover.com
Deborah Lawler-Dormer — Academia.edu Profile
Josh Wodak — Project proposal
Terri Crawford — Profile
Guy van Belle — Profile
Shannon Novak — shannonnovak.com

Some of the project proposals accepted for the residency – see here»

2.Wānanga-Symposium

The list of accepted abstracts is found here. Below is the list and grouping of presenters.

Author
Presenter grouping and paper title
Mātauranga Māori, Science and Art
Dr Te Huirangi Waikerepuru Keynote 1
Alex Kmoch, Sheena Mannering-Tawera, Diane Bradshaw, Paul White and Hermann Klug A groundwater resources portal for New Zealand
Ian Clothier From second to third nature: building cultural bridges between Mātauranga Māori and Western science
Environment
Te Kipa Kepa Brian Morgan, Tumanako N. Fa’Aui and Robyn Desma Manuel Decision making at the Interface: Mauri and its contribution to the Rena Recovery
Margaret Smith & Fiona Clark Sustaining Waitara Waterways
Josh Wodak Comprehending Complexity: Art in the Anthropocene
Ricardo Dal Farra & Leah Barclay Balance-Unbalance: Arts + Science x Technology = Environment / Responsibility
Society and nature
Te Matahiapo Māori Society
Lesley Pitt A Pakeha social work view: liberation starts right here
Donna Willard-Moore An integral theory analysis of barriers to an ecologically sustainable civilization
Maja Kuzmanovich; Verena Kuni; Lorena Lozano; Reni Hofmuller; Annemie Maes; and Lenka Dolanova with Michal Kindernay Skype bridge – live presentations from Europe
Nina Czegledy Keynote – reFraming Nature
Nigel Helyer and Mary-Ann Lea Under the icecap
Cecelia Cmielewski Remote interventions
Mark Harvey, Dermott McMeel, Becca Wood, Mark Jackson, Maria O’Connor Body Imperfect
Indigenous cultures
Kura Puke and Stuart Foster The substance of experience
Gabriel Vanegas Logics of nature-driven technologies in a place Called America
Leah Barclay SONIC ECOLOGIES: Practice-led intersections of sound art, science and technology in global communities
Ana Terry & Don Hunter Un Litro de Agua
Deborah Lawler-Dormer He Poi, pattern, collaboration and electronic art installation
Melanie Cheung The Brilliant Brain Cell Show: Using Art for Neuroscience Education
Data, art and ecology
Vicki Sowry Echology: Making Sense of Data
Pinar Yoldas The very loud chamber orchestra of endangered species
Brian Degger Make, Do, Mend and Hack (MDMH) the biotechnologies of the 3rd Nature
Elise Smith and Anne Scott Technology meets Ecology – Where have all the little blue penguins gone?
Futures
Jock McQueenie The Art of Engagement
Christine Fenton, Tengaruru Wineera, Nina Czegledy, Mike Fenton Policy recommendations from the SCANZ residency session on working across boundaries of culture and discipline
Haritina Mogosanu Martian Diaspora – a discussion on what culture can mean to a spacefaring civilization

 

3. Exhibitions at Puke Ariki Integrated Museum and Library, Pukekura Park and Environs

The exhibition in Puke Ariki and Pukekura Park opened on February 2nd at dawn. Click the exhibition link above or this link for images of the works.

4. Publication

The exhibition and symposium will be presented in the form of a special edition of Leonardo Electronic Almanac with a limited edition print run. We are also in discussion with Cambridge Scholars Publishing for publishing proceedings.

Important dates and places

Wānanga-symposium dates: February 1-3 2013. Day one was at Owae Marae, day two at WITT, day three was at WITT and in Pukekura Park.

Residency dates: Friday 18 January to Monday 4 February 2013. Day one was at Parihaka, with the remainder at WITT. Several people arrived a day early so they could attend two days at Parihaka, which is world renowned as a site of peaceful resistance, under the leadership of Te Whiti and Tohu.

Exhibition opening: Dawn (6.28am) February 2 2013 at Puke Ariki. Pukekura Park projects were viewed on February 3rd. The exhibition closed on April 2nd 2013.

Thematic framework

Integrating indigenous perspectives with creative, environmental, scientific and academic views on reality is essential to a sustainable future. At the same time, computing and digital media are changing our relationship to culture and the environment.

On the one hand digital technology allows us to analyse and display data in new ways, as when anthropologists use language databases to shed light on the movement of culture.

On the other hand digital technology adds to our senses, and extends them beyond the body to the forests and the land. Scientists, artists and others are transforming the environment into an organism, as Maori and indigenous peoples have always known it to be.

SCANZ 2013: 3rd nature will bring together diverse people to discuss how to approach working together across culture, discipline and media. We must work together to resolve the issues emerging at the boundary between fresh knowledge and deep knowledge, beginning with sharing knowledge and projects.

Presentations and projects which highlight cross cultural interchange and/or computing and electronics projects and/or the hybrid arts were sought. The ensuing discussion and presentations will be shared in a special edition of Leonardo Electronic Almanac, the online publication of Leonardo – the leading Massachusetts Institute of Technology journal.

Background

The concept of a third space – a zone of hybridity – traverses the cultural landscape from the writing of Homi Bhabha in the mid 1990s, to Sony advertising (see hypertext.rmit.edu.au/dac/papers/mcguire.pdf). Hybridity is now embedded in creative and cultural production and consumption.

A space of hybridity can assimilate potentially any set of concepts. SCANZ 2013 3rd nature sought to develop a fresh space, carrying memes from previous SCANZ events (which have all had an emphasis on environment) and other Intercreate projects that have involved scientists, indigenous peoples and artists working together. We are aiming to build new knowledge and establish legacies around this work, unencumbered by old perspectives and now distant categories.

We ignore the environmental crisis at our peril. Integrating the indigenous perspective, creative, environmental and scientific views on the environment is essential for continued human habitation of the planet. From these trajectories, it is possible to conceive of a fresh hybrid space, composed of overlapping elements.

We asked tangata whenua, artists, technologists, teachers, environmentalists, scientists, philosophers, educationalists, indigenous peoples, technologists and lecturers to contact us with ideas for talks, discussions, presentations, residency projects, exhibition ideas for gallery space and a botanic garden.

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