huatoki-walkway3

Huatoki walkway: history unveiled

It is interesting that following a river cuts across the urban city landscape and the corresponding histories of place. Nature and heritage are often obscured when the experience of place is  dominated by being in buildings, and walking, taking a bus or driving the streets. To follow a river is to connect them all.

This is across the street from the car parks and the entrance to the Huatoki walkway proper

This is across the street from the car parks and the entrance to the Huatoki walkway proper

This is the under pass to which the sign is adjacent

This is the under pass to which the sign is adjacent

 

The track is quite wide at points, with the banks off to the left. Once again looking upstream

The track is quite wide at points, with the banks off to the left. Once again looking upstream

 

This looks like a collection of boulders, but once was a large marker rock used by local iwi (tribes). It was dynamited in the colonial era

This looks like a collection of boulders, but once was a large marker rock used by local iwi (tribes). It was dynamited in the colonial era

 

On the opposite bank of the river are the footings of an old water powered flour mill

On the opposite bank of the river are the footings of an old water powered flour mill

 

Another pile of boulders, another dynamited marker rock

Another pile of boulders, another dynamited marker rock

 

The area of the stream bank around the second rock

The area of the stream bank around the second rock

 

Looking back downstream toward the area of the second rock

Looking back downstream toward the area of the second rock

 

Grinding stones from the several mills that once were located here

Grinding stones from the several mills that once were located here

 

The view looking upward toward the end of the town centre part of the walkway. If needed further sites are located beyond

The view looking upward toward the end of the town centre part of the walkway. If needed further sites are located beyond

 

Signpost marking the end of this passage of the walkway

Signpost marking the end of this passage of the walkway

 

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Journey of a river/stream walkway: the Huatoki

The Huatoki runs under the main street of New Plymouth, then emerges in a mix of rustic walkway with hybrid plants and trees.

This small park is the continuation of the walkway, heading upstream

This small park is the continuation of the walkway, heading upstream

 

Looking downstream, back toward the main street of New Plymouth. The two trees on the left are marked historic by the Council and must be preserved.

Looking downstream, back toward the main street of New Plymouth. The two trees on the left are marked historic by the Council and must be preserved.

 

This small area above the banks of the previous photo could be a site for a work or perhaps one of the stop points on the walking symposium

This small area above the banks of the previous photo could be a site for a work or perhaps one of the stop points on the walking symposium

 

This photo is taken from a small bridge - too small for art works, but there is a car park next to it. The banks are quite steep though. This car park has a market on the weekends

This photo is taken from a small bridge – too small for art works, but there is a car park next to it (next photo). The banks are quite steep though. This car park has a market on the weekends

 

The car park on the left bank looking down stream. There is a car park on the right as well

The car park on the left bank looking down stream. There is a car park on the right as well

 

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Huatoki River walkway – SCANZ 2015:water*peace art work sites

This next set of photos connects from the landing outside Puke Ariki, across the road to the Huatoki Plaza.

On the bridge looking up stream, with the 30-60cm drop creating rapids.

On the bridge looking up stream, with the 30-60cm drop creating rapids.

 

Looking into the Plaza, beyond the pedestrian walk bridge

Looking into the Plaza, beyond the pedestrian walk bridge

 

The lower part of the Plaza forms a natural amphitheater. At this point the Huatoki disappears under one and a half blocks of buildings

The lower part of the Plaza forms a natural amphitheater. At this point the Huatoki disappears under one and a half blocks of building

 

To the left of the amphitheater, showing some of the building murals by local artists

To the left of the amphitheater, showing some of the building murals by local artists

 

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Environment

reload_synch_refresh by Dark Fritz

reload_synch_refresh by Darko Fritz, a SCANZ 2013 project which is permanently installed in Pukekura Park, Nga Motu New Plymouth, pointing to the need to refresh our relationship with the environment

Concern for the environment is a major driver of Intercreate projects. This is partly due to global warming and species loss, and is also due to our engagement with indigenous groups, for whom the environment is of urgent concern. This has resulted in projects in our local botanic garden, and partner projects that involve indigenous peoples. Our main cultural partner is Te Matahiapo Indigenous Research Organisation.

 


 

Another pile of boulders, another dynamited marker rock

A section of the Huatoki river/stream walkway passes through central New Plymouth Nga Motu

While we were very pleased with the SCANZ 2013 exhibition in Puke Ariki library museum, for SCANZ 2015, we want to locate art works along a river walkway, the Huatoki.

 


 

Intercreate has a permanently installed data sensor to internet connection in Pukekura Park, first used for the project 'The Park Speaks'.

Intercreate has a permanently installed data sensor to internet connection in Pukekura Park, first used for the project The Park Speaks above.

Collaborators on The Park Speaks were Ian Clothier (system concept), Julian Priest, Andrew Hornblow, Adrian Soundy, Aafke Visser, Mark Dwyer, Aafke Visser, Peter Wareing and Jock McQueenie.

 


 

The data to internet to control audio system, built for 'The Park Speaks' was used for 'Wai', exhibited in Albuquerque as part of ISEA 2012

The data to internet to control audio system, built for The Park Speaks was used for Wai, exhibited in Albuquerque as part of ISEA 2012

Wai was a milestone in our collaboration with Te Matahiapo. Following the direction given by Dr Te Huirangi Waikerepuru, we endeavoured to involve local indigenous groups. Via Jo Tito we were put in contact with Gordon Bronitsky, who was able to establish links for us to Navajo or Dineh people. This resulted in Andrew Thomas contributing the audio that was heard, and Johnson Dennison, a Navajo Medicine Man contributing to our tomo whakaari (dawn opening ceremony). This was an extraordinary event.

 


 

This is the test set up in Noosa Australia, where we connected the plant on the left and a tree in New Zealand to our project website and their live voltage data to control audio files.

This is the test set up in Noosa Australia, where we connected the plant on the left and a tree in New Zealand to our project website and their live voltage data to control audio files.

Using the system established for The Park Speaks we tested connecting across the Tasman sea, joining Australia and New Zealand in one integrated creative system. Trans-Tasman integration project has become World Tree Orchestra which seeks to connect trees globally.

 


 

This data sensor by Pierre Proske measured soil moisture content, which was relayed to a set of output devices mounted on poles. Audio based on the data was output at dusk.

This data sensor by Pierre Proske measured soil moisture content, which was relayed to a set of output devices mounted on poles. Audio based on the data was output at dusk.

Additional projects in Pukekura Park include Brickets by Pierre Proske. Intercreate has a resident Creative Engineer Andrew Hornblow, who assisted Proske with developing the technology to broadcast data as audio during dusk. This was a SCANZ 2013 project.

 


 

Layers of audio by Nigel Helyer referenced multiple notions of underworld and filled one end of the Fernery in Pukekura Park botanic garden.

Layers of audio by Nigel Helyer referenced multiple notions of underworld and filled one end of the Fernery in Pukekura Park botanic garden.

The above project by Nigel Helyer Songs from the Underworld, was received postively by visitors to the Fernery in Pukekura Park, and adopted by the staff who maintain the park and the Fernery. Some of the audio included chanting by members of Te Matahiapo, in a work that engaged with ideas of the Underworld, in both Western cultural and Maori terms.

 


 

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SCANZ2015:water*peace-call

Photo of Wai by Jo Tito

Photo by Jo Tito

.

Celebrating International Peace Day with a call for projects on Water and Peace

This is the call page for SCANZ2015:water*peace. Below is information about project types, application process and the submission link.

Water is essential to survival, revered and respected worldwide for its power, curative and creative abilities. Water as a resource has become intensely politicised and monetised, in contrast to the view that access to fresh water is a fundamental human right. Peace is also essential to the sustainability of humans on Earth. Join us to discuss and put forward positive, connecting views on water and peace that engages our community. This is the first call for projects and residency with submissions due November 8, 2013 (this allows for planning and fundraising). A second call with revised dates will be issued shortly. Read more about the ideas behind the project…

 


 

2015Graphic05web

 


 

Project components

Noho marae

SCANZ2015: water*peace will be the fifth SCANZ residency and starts in January 2015. It will commence with noho marae (overnight stay) at Parihaka, world renowned as a site of peaceful protest. The stay coincides with the 18th and 19th, when Te Whiti and Tohu, leaders of the peace movement are celebrated.

 


 

Open residency

This will be followed by a two week open, creative and interdisciplinary residency. It is our hope that tangata whenua, indigenous peoples, New Zealanders and other global citizens will be able to take part.

We are suggesting that artists, environmentalists, technologists, scientists, writers, performers, dancers, permaculturalists and people interested in the positive aspects of water and peace, all take part. Anyone can submit a project in one or more of the categories listed further down this page.

 


 

Temporary works in public space

We would like to have five to seven temporary works in public space, shown for one day or overnight on the final weekend of the residency. These will be sited along a river walkway. No power will be provided at the sites, so solar, wind, and water powered projects are suitable (battery and static install are two further options).

 


 

Day of public activities about water, water quality and peace

We are seeking proposals for a day of activities that engage our local community in issues around water and peace.

 


 

Night time building projections

We are seeking projection works about water or peace, to be projected on to the side of a local building in the evening.

 


 

SCANZ hui

On the final weekend of the residency there will be a SCANZ hui. Day one is at WITT, the local polytechnic and allows for presentations that require technology, the internet, projectors etc. Day two is a walking symposium to view the artworks and have thematic discussions in the environment of the river walkways.

A separate call for hui/symposium presentations will be made at a later date, through the same application page on Easy Chair.

 


 

Categories of projects

Water and/or Peace residency and temporary public work (residency with public exhibition project)
Water and/or Peace residency (residency without an exhibited project)
Water and/or Peace temporary public work (no residency, public exhibition project)
Public activity day project
Night time projection on building
Online exhibition
Pure research

 


 

Process

Applicants should download the pdf application form by clicking the link below. This should be filled out and attached to the application made at EasyChair.

IMPORTANT: Fill out the SCANZ application pdf first, then go to Easy Chair and make yourself a log in. After entering your contact information, project title and submission abstract (max 500 words, target 350) with keywords, tick the appropriate category and topic. Upload the completed SCANZ pdf form in the field that says ‘Paper’. In the field that says ‘Attachment’ upload a .pdf, .doc, .docx or .txt which contains a a one page CV and a project image.

A two stage process will be used. Successful applicants will then be able to apply for accommodation and/or food subsidies from Intercreate. It will also be possible to apply for micro budgets for the public event one day of activities and river walkway art works.

This first call for applications is currently closed for review. A second call will be made, and announced via our email list, on Facebook and Twitter.

 


 

Submission page and useful links

Background to the project and issues of water and peace.

This short video is made by the people of Parihaka about Parihaka.

Pdf SCANZ2015 Application Form. Right click and download the form, open it in Acrobat and fill it out (Mac users, you cannot use Preview, it has to be Acrobat). Then attach the SCANZ form to your EasyChair submission.

We prefer pdf if possible at this stage. If you do not have Adobe Acrobat, scroll to the bottom of this page and there is a link to a Word file.

The Easy Chair submission page. The url in full is https://www.easychair.org/conferences/?conf=scanz2015

If you do not already have an Easy Chair log in, you will need to get one – the page you go to will prompt you, and once you have activated your account you will go to the SCANZ 2015 link.

 


 

Social media

Intercreate is adapting its online communication channels. Here is how to stay informed and tailor the way you connect with us:

Like us on Facebook and receive all Intercreate news & updates on events

Follow us on twitter to engage hybrid, interdisciplinary issues covering: art + technology + science + environment + cultural bridging

Join our Placestories project to share resources & discussion about SCANZ 2015 Water * Peace

 


 

SCANZ2015WordApplicationForm

 

scanz2015:water*peace-call

Call for projects

2015Graphic05web

Water*peace

Water is essential to survival, revered and respected worldwide for its power, curative and creative abilities. Water as a resource has become intensely politicised and monetised, in contrast to the view that access to fresh water is a fundamental human right. Peace is also essential to the sustainability of humans on Earth. Join us to discuss and put forward positive, connecting views on water and peace that engages our community. This is the first call for projects and residency with submissions due November 8, 2013 (this allows for planning and fundraising). Read more…

Noho marae

SCANZ2015: water*peace will be the fifth SCANZ residency and starts in January 2015. It will commence with noho marae (overnight stay) at Parihaka, world renowned as a site of peaceful protest. The stay coincides with the 18th and 19th, when Te Whiti and Tohu, leaders of the peace movement are celebrated.

Open residency

This will be followed by a two week open, creative and interdisciplinary residency. It is our hope that tangata whenua, indigenous peoples, New Zealanders and other global citizens will be able to take part.

We are suggesting that artists, environmentalists, technologists, scientists, writers, performers, dancers and people interested in the positive aspects of water and peace, all take part. Anyone can submit a project in one or more of the categories listed further down this page.

Temporary works in public space

We would like to have five to seven temporary works in public space, shown for one day or overnight on the final weekend of the residency. These will be sited along a river walkway. No power will be provided at the sites, so solar, wind, and water powered projects are suitable (battery and static install are two further options).

Day of public activities about water, water quality and peace

We are seeking proposals for a day of activities that engage our local community in issues around water and peace.

Night time building projections

We are seeking projection works about water or peace, to be projected on to the side of a local building in the evening.

Online exhibition

Links to water and peace resources online will be collated. Included will be a curated selection of online projects about water and/or peace.

SCANZ hui

On the final weekend of the residency there will be a SCANZ hui. Day one is at WITT, the local polytechnic and allows for presentations that require technology, the internet, projectors etc. Day two is a walking symposium to view the artworks and have thematic discussions in the environment of the river walkways.

A separate call for hui/symposium presentations will be made at a later date, through the same application page on Easy Chair.

Categories of projects

Water and/or Peace residency and temporary public work (residency with public exhibition project)
Water and/or Peace residency (residency without an exhibited project)
Water and/or Peace temporary public work (no residency, public exhibition project)
Public activity day project
Night time projection on building
Online exhibition
Pure research

Process

Applicants should download the pdf application form by clicking the link below. This should be filled out and attached to the application made at EasyChair.

IMPORTANT: Fill out the SCANZ application pdf first, then go to Easy Chair and make yourself a log in. After entering your contact information, project title and submission abstract (max  500 words, target 350) with keywords, tick the appropriate category and topic. Upload the completed SCANZ pdf form in the field that says ‘Paper’. In the field that says ‘Attachment’ upload a  .pdf, .doc, .docx or .txt which contains a a one page CV and a project image.

A two stage process will be used. Successful applicants will then be able to apply for accommodation and/or food subsidies from Intercreate. It will also be possible to apply for micro budgets for the public event one day of activities and river walkway art works.

This first call for applications is due on November 8, 2013. While this is early, it will allow successful applicants to commence planning and fundraising. A second call will be made at a later date.

 

Useful links

Background to the project and issues of water and peace.

This short video is made by the people of Parihaka about Parihaka.

Pdf SCANZ2015 Application Form. Right click and download the form, open it in Acrobat and fill it out (Mac users, you cannot use Preview, it has to be Acrobat). Then attach the SCANZ form to your EasyChair submission.

EasyChair submission page.

media art project selected

Tipi Nga Rangi by Kura Puke and Stuart Foster

This image of the laser being tested was taken during the SCANZ residency in January and February 2013 (photo by Kalya Ward)

Laser Karakia Artwork Selected as Media Art Project 2014

A project that utilises laser light technology to carry sound has been selected as the Intercreate Media Art Project 2014. Ko Tatou Te Tangata by Stuart Foster and Kura Puke, with Dr Te Huirangi Waikerepuru and Te Urutahi Waikerepuru, will employ oscillating lights to carry both the human voice and environmental sounds.

The technology was tested at SCANZ, an artist residency held at WITT in New Plymouth earlier this year. Laser beams were sent to a light receptive panel that had speakers connected. The result was that waiata, karakia, karanga and sounds of moving water were transmitted. For the SCANZ project, the karakia was contributed by kaumatua Dr Te Huirangi Waikerepuru with the tangata whenua, Ngāti Tawhirikura.

Kura Puke (Tapuke) has whakapapa to the hapu of Katere ki Te Moana marae, which extends from the clifftop at Fitzroy, to Te Rewa Rewa Pa on the coastal walkway. Both Puke and Foster are lecturers at Massey University Wellington, while Te Huirangi Waikerepuru and Te Urutahi Waikerepuru direct Te Matahiapo Research Organization based in New Plymouth.

For the Media Art Project they wish to deepen the engagement with tangata whenua and locals, and investigate how to “transform an environment often seemingly subsumed by commercial industry into an awareness of the dynamic layered diversity of the land” which involves embracing “the intangible and the unseen energies” to inquire into and visualise ideas about, wairua (essence), mauri and the virtual.

As the commissioner of the work funded by the Arts Council of New Zealand we are extremely pleased with the calibre of the project, and the way advanced technology is integrated with the local environment, local community groups and customary Maori knowledge.

Background to the project

Intercreate Trust is based in New Plymouth and Auckland, with head office in New Plymouth. Funding was received from the Arts Council of New Zealand to commission a project that inspired “artists and creative teams to think boldly about combinations of cultural ideas and contemporary media technologies, that could be implemented in public space and/or Pukekura Park in New Plymouth. The projects are likely to involve working with local groups.” A second project is under consideration.

The selection process involved blind review, where the selection panel does not know the names of the people applying. While the applicants submit a CV, the CV also doesn’t mention names.

The panelists were: Chris Connolly, Pukekura Park curator; Nina Czegledy, who is the Intercreate International Research Fellow; and Australian based curator Leah Barclay. Intercreate’s Executive Director was not on the panel and ensured names were omitted from the applications, prepared the applications for review by the panel and also collated the panel responses. Rhana Devenport was on the selection panel until she left for Auckland, as was Anna Carrington until her move to Wellington.

Artists full statement

In their application, the artists Puke and Foster stated that “this trans-disciplinary collaboration hopes to contribute to innovative knowledge transfer with the tangata whenua, and to offer an experience that may deepen the engagement of local people and visitors through inclusive visual-aural ceremonial and relational events. They also wish to investigate, through social encounter and art-design culture, how to transform an environment often seemingly subsumed by commercial industry into an awareness of the dynamic layered diversity of the land which involves embracing the intangible and the unseen energies to inquire into and visualise ideas about, wairua (essence) mauri and the virtual.”

Useful links

Intercreate page describing the project and how to apply
http://www.intercreate.org/media-art-projects/

Artist links
Kura Puke
Stuart Foster
Te Huirangi Waikerepuru and Te Urutahi Waikerepuru

Maori translation and dictionary site
http://www.maoridictionary.co.nz/

WITT (Western Institute of Technology at Taranaki) site of SCANZ residency where technology was tested by the artists
http://www.witt.ac.nz/

Creative New Zealand Toi Aotearoa The Arts Council of New Zealand, funder of the MAP 2014 project
http://creativenz.govt.nz/

Media art projects

 

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SCANZ-Balance-Unbalance

Owae SCANZ

Moments after the first SCANZ started – at Owae marae in 2006

The photo above is of the gathered participants at the first SCANZ – just after the powhiri at Owae Marae in 2006. Nina Czegledy, Trudy Lane and Ian Clothier will present on SCANZ 2006, 2009, 2011 and 2013 at Balance-Unbalance.

As part of our Balance-Unbalance presentation on Solar Circuit Aotearoa New Zealand, where we will discuss issues around engaging with science and indigenous peoples, we are wanting to subvert the usual arrangements for presentation.

We would like the audience to download our presentation images to their mobile device. We will then not require the use of a projector with it’s directional emphasis, will be able to sit in a circle, and we will also be able to leave the room and go for a short walk all as part of our presentation.

This emphasis on the physicality of experience, of interrogating the frameworks for activity, and taking alternate approaches all arise from the experience of producing SCANZ in 2006, 2009, 2011 and 2013.

Download the pdf for your mobile device by clicking the link scanzAllweb02

Themes: water*peace

SCANZ water & peace

Developing the culture to create a sustainable civilisation

Intercreate is pleased to announce that SCANZ 2015 themed on Water*Peace, will take place in Taranaki from the 18th of January 2015 until February 2nd 2015. Supported by Creative New Zealand, this will be the fifth SCANZ residency.

We are currently looking at ways to explore the themes and engage with the local community. If you have ideas or suggestions we would welcome them.

We will continue to follow our basic core values:

*Acknowledging the environmental crisis
*Engaging with Maori and indigenous peoples
*Engaging with Sciences and the Hybrid Arts

Water is essential to survival, revered and respected worldwide for its power, curative and creative abilities. Water flows from the sky to the mountains, down the rivers, out to sea and up into the atmosphere where it is breathed in and merges with the human body. Waterways tell the stories of past habitation, of use as a generator of power, and as a recreational facility. The considered use of water is essential to sustainability.

Water as a resource has become intensely politicised and monetarised, in contrast to the view that access to fresh water is a fundamental human right, in the same way as access to air is a fundamental right. We need though, a kind of activism of positivity, rather than a negative view of past approaches. The aim is to connect, not divide.

Running water is also found in the heritage of digital media. The history of intelligent machines can be traced through the computer back to the mainframe, calculators, programmable weaving looms, automatons and clepsydra – water clocks, which in pre Renaissance times were of extraordinary complexity. Water was also used to level ground prior to construction in ancient Egypt and the oldest water clocks for which there is evidence date from around 1400BCE.

Peace is also essential to the sustainability of humans on Earth. Collectively we need to celebrate and promote Peace. This is an important way to attain a positive relationship between all cultures and the environment. Peace is a message we all must carry, in the sense of anti-war but also in the sense of justice and the right to harmonious living for all. The notion of connecting water and peace comes from worldwide indigenous groups, who have formed an Indigenous World Forum on Water and Peace.

What are the strategies we need to activate an understanding of water in urban and rural areas, that goes past filling cups and glasses from the tap? How do we reinvigorate what water means, reinforcing the need for care, emphasising the right to clean water and harmony? What Peaceful uses can water be put to? Is it possible to train water to tell the stories of indigenous peoples, of communal heritage, of times past, of science and health?

Join us on a journey to respond to these and other questions. We welcome input from Maori, artists, scientists, environmentalists, the public, indigenous groups, ethnic groups, mums, staff of schools, universities, polytechnics, councils and businesses. What ways are appropriate in terms of bringing together this rich and diverse mix of people. How do we allow traditional Maori knowledge and Western science to mingle? What new ways might be needed, to facilitate the gatherings? Where is the best place to engage the local community? Why would the local community, scientists and artists be interested – what motivates people to come together at this time now in the history of Earth?

Send ideas for projects to ian dot clothier at intercreate dot org.

Te Taiao

3rd nature art works

Curated by Ian Clothier, the works in SCANZ 2013 3rd nature exhibition spiral from the Puke Ariki Museum gallery Te Takapou Whāriki o Taranaki (The Sacred Woven Mat of Taranaki) out onto level 2 and around the natural history and geology galleries, down the stairs on to the landing and beyond into Pukekura Park botanic garden.